Sunday, May 1: Send an email to our JASNA ORSWWA Regional coordinator, Margaret Christmann at [email protected], if you are interested in sitting with other regional members to attend the play, Emma, that will be put on at the Bag and Baggage Theater in Hillsboro. Member Pauline Beard will be doing a talk before the performances on Friday, May 20th and 27th. If you want to sit with other members of our group, send Margaret an e-mail by May 1st and note which day you want to attend. Margaret will then buy tickets together for the shows.
A couple of deadlines coming up for local Jane Austen events: Sunday, May 1: Send an email to our JASNA ORSWWA Regional coordinator, Margaret Christmann at [email protected], if you are interested in sitting with other regional members to attend the play, Emma, that will be put on at the Bag and Baggage Theater in Hillsboro. Member Pauline Beard will be doing a talk before the performances on Friday, May 20th and 27th. If you want to sit with other members of our group, send Margaret an e-mail by May 1st and note which day you want to attend. Margaret will then buy tickets together for the shows. Friday, May 6: The registration deadline for our annual spring tea on May 14. Feel free to invite a friend to join us. Our speaker has an interesting topic in Lending Libraries, and you can find out more about the program and the speaker here on our 2016 Events page.
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The Portland Actors Conservatory, located a few blocks west of the PSU campus, is staging a production of Sense & Sensibility, opening February 10th. This new adaptation by Kate Hammill is directed by Brenda Hubbard.
Information about the specific dates and tickets is available on the Portland Actors Conservatory website at http://www.actorsconservatory.com/performance.html.
Here's the teaser for the play: Elizabeth Bennet & Mr. Darcy have a date – with destiny, as Jane Austen’s most popular novel comes to life on stage in the ACMA Theatre Company’s production of Pride and Prejudice. This quick paced production, adapted and staged by David Sikking (recipient of the Beaverton ArtsCommission’s Outstanding Art Instructor Award) faithfully relishes the language Jane Austen penned for this witty romantic comedy. At our reading group event this past weekend, Frank McClanahan gave everyone a wonderful wrap-up of the world premiere of Sense & Sensibility, the Musical that he and Mary Margaret Benson attended this past spring in Denver, Colorado. For those who weren't able to attend the reading group discussion, here are Frank's notes and personal perspective of this fantastic experience! Just think about Jane's novel: repressed passion! soaring emotions! should you listen to your head or to your heart? Mr Haddow thinks the story is just right for a musical. Representing our Region were Mary Margaret Benson and Frank McClanahan, who have provided the following observations about the world premiere of Sense & Sensibility, the Musical, April 11, 2013, at the Denver Center for the Performing Arts We were both highly skeptical of a musical adaptation of Jane's novel; however, we ended up being wowed. It was great. And it was instructive to learn more about how literature is adapted to the musical genre. The book and lyrics are written by Jeffrey Haddow. We met him, and he is a classic Eleanor type of great sense. Music is by Neal Hampton--the classic Mary Ann type of sensibility. The director is Marcia Milgrom Dodge who's last Broadway production was the new Ragtime. Costumes are by E. Sosa who just did the revival of Porgy & Bess. The writer, Jeffrey Haddow, says a musical can't repeat Jane's humor because the stage musical doesn't do irony very well. He says musicals are about emotions. Just think about Jane's novel: repressed passion! soaring emotions! should you listen to your head or to your heart? Mr Haddow thinks the story is just right for a musical. It's interesting to see some of the specific ways a musical adaptation changes Jane's novel:
What was the music like? A little bit of James Taylor, some Jazz, and certainly Stravinsky. The set is a minimalist scenic design to accommodate a great number of different scenes. It has a 3-quarter thrust stage with 4 elevators. The dancers and chorus have to be extremely careful not to fall into an elevator pit, as one did during a dress rehearsal, when all 4 are open at the same time. Yes, there's a chorus. It's a group of society people serving much the same purpose that a chorus did in ancient Greek theatre. It's the engine that helps move the story along. Milgrom Dodge, the director, sees the chorus as the 1800s equivalent of today's twitterers on their smart devices. "No, we're not pulling out cell phones. Certainly we're not doing anything anachronistic in that way, but in terms of the emotional presence that this chorus has in the piece, we want an audience to say, 'Oh, my gosh, these people are just like twitterers.' You know what I mean. They have that kind of nosy behavior, that sense of never-ending gossip, that need-to-know-everything that goes on today." In the program notes, director Milgrom Dodge reminds us that Sense and Sensibility The Musical is not Jane Austen's Sense and Sensibility. She continues, "In this production the goal is to present a beautifully rendered period piece, in that we're setting it in its own time. But we are not afraid to add some modern sensibilities." For more backstory on the S&S musical, please visit here at http://senseandsensibilitymusical.com/
If anyone will be travelling to Denver in early spring...
The Denver Center Theatre Company has assembled a stellar group of Broadway performers to bring Jane Austen's beloved romance to life in SENSE & SENSIBILITY THE MUSICAL.The much-anticipated production, with book and lyrics by Jeffrey Haddow and music by Neal Hampton,will be staged by Director and Choreographer Marcia Milgrom Dodge, whose recent Broadway revival ofRagtime received seven Tony Award nominations. SENSE & SENSIBILITY THE MUSICAL will receive its world premiere production April 5 – May 26, 2013 in The Stage Theatre at the Denver Center for Performing Arts at 14th and Champa. For tickets and more information, please visit The Denver Center website at www.denvercenter.org. **Please be advised that The Denver Center for the Performing Arts – denvercenter.org – is the ONLY authorized online seller of tickets for Denver Center Attractions (the Broadway touring productions) and the Denver Center Theatre Company (the resident theatre company productions). “You Are Passionate, Jane,” a new playlet by Diana Birchall to premiere in Seattle, on Mercer Island on Sunday, August 12, 2012 @ 2pm, by the Jane Austen Society of North America Puget Sound chapter. "Written by Austenesque author Diana Birchall, this light, bright and sparkling diversion imagines what it would be like to be privy to an intimate view of two literary legends [Jane Austen and Charlotte Brontë] in tête-à-tête when they meet in heaven for the first time!" Read all about the playlet on the Austenprose site by clicking here at http://austenprose.com/2012/07/16/you-are-passionate-jane-a-new-playlet-by-diana-birchall-to-premiere-in-seattle/. Ainsworth pergola Via Janet Rohrbaugh and Kim Higgins... exciting news about upcoming theater performances of Persuasion at the Ainsworth House. There will be a two stage performances of Persuasion, written by Jane Austen and adapted by Jennifer Le Blanc, at the Ainsworth House in SE Portland on Saturday, March 10th at 7pm and on Sunday, March 11th at 5pm. Expect to see fellow Janeites in attendance! A perfect combination of theater, Jane Austen, and the coming spring season. Limited parlor seating. Reserve at: [email protected] Click here for directions to Ainsworth House: http://www.ainsworthhouse.net/custom.html For more info, please see http://www.cerimonhouse.org/ainsworth-austen/ Featuring: Dawn Lisell, Brenda Hubbard, Sascha Blocker, Gemma Whelan, Jennifer Le Blanc, Amanda Soden, Cassie Skauge, Gilberto Martin del Campo, David Bodin, Joel Morello, Paul Susi, Rollin Carlson, Kevin Yell (and more!). Directed by Randall Stuart, with sceneography by award-winning costume designer Sarah Gahagan. |
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